Friday, April 4, 2014
If It Snowed Forever
IF IT SNOWED FOREVER by Fred Burstein and illustrated by Anna Burstein
Irie Books, 2014
Author Fred Burstein (Anna's Rain; Rebecca's Nap) has written an unusual novella about a young girl with heart trouble, a bus driver and a bunch of teens with social issues of various kinds that erupt in the bus on the way to school. This may sound like the prelude to a dystopian story of hopelessness and angst, but it is anything but that. The novella deals with real problems -- adult and teen -- but the beauty of Mr. Burstein's writing is his casual, conversational style which sort of meanders like the bus itself. In point of fact, the author was the bus driver. If It Snowed Forever is a one-of-a-kind story that proves that people can only achieve peace of mind by bonding and being compassionate. The early reviews from well-known authors say, " ...touching and life-affirming ..." David Kherdian and Nonny Hogrogian (Newbery Honor and Caldecott medalist authors). Paula Fox, a Hans Christian Andersen Award winner, praises the novella's characters. She says, "Jimmy is wonderful. His dreams, his inner life, his bafflement and yet his authority." Nancy Hickey, a Special Education teacher, says: "A story about students on a minibus who transcend usual adolescent behavior and compassionately bond with Marie, a girl with special needs. The reader sees through Marie's eyes and learns how simple gestures and small moments can change lives forever." If, in reading this short novel, you are changed for only a moment the story has done its work effectively, for as we know, books change lives forever in ways we do not always know.
Thursday, March 27, 2014
The Forbidden Ride: An Icelandic Love Story
The Forbidden Ride
is the story of a 15-year-old-girl and her first love. Set in 10th
century Iceland, a time of harsh laws and cruel men, Freyja falls in love with
Jarn, a handsome young man from the next settlement, only to have him ripped
from her by her father Sigurd as he enforces a merciless ancient Icelandic law
against Jarn for the crime of riding Sigurd's spirit horse Freyfaxi without permission. Surrounded
by customs and rules that make little sense to her, Freyja must overcome her
lack of status as a young woman in a man’s world of brutal justice and blood in
order to save her family from banishment and shame, and with the help of the
magical shaman-horse, Faxi, to regain her freedom to be with Jarn.
This is the first book that Lorry and I have done together since A Mind With Wings: The Story of Henry David Thoreau. It's available on Amazon.com in digital!
Tuesday, March 18, 2014
Ozymandias
It has taken me months to charm this King of Round Stone. I call him Ozymandias, though certainly not to his face. I am sorry he doesn't trust me -- or so I have felt for the longest time. But today, of all days, blessed by abundant sun and trust, he lets me creep up to his vast castle of rock. And having crept, I stop and stare and he casts a wary eye upon me, but permits me to press the button and capture his image for all, or anyone, to see. And here is a verse to commemorate the day ....
And on the pedestal these words appear:
"My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!"
Percy Bysshe Shelley, 1792-1822
Monday, March 10, 2014
Copperhead Necktie
This morning in the golden sunlight along came a serpent. Marked like a copperhead he was instead a lovely young cornsnake just up from a hibernation nap. Knowing cornsnakes are friends, I scooped him up and Lorry took a quick pic of him sliding around my neck and off my back. He was out for lizards and I didn't want to keep him from his early morning hunt. I set him down and he slid gracefully into an asparagus fern and disappeared.
I was five years old when I met my first cornsnake and this is how it goes:
Just up from a nap
out in the yellowy tassles
the hired hand hung something loose
back of my neck
belly scale shiny feel
a burnt umber
copperhead necktie.
____
It was the hired hand, Ray, who said it was a copperhead. All these years it took me to find out it wasn't, or shouldn't have been, but maybe still could've been but, more likely, it was a cornsnake like the one that just visited us.
Sunday, February 23, 2014
Once again Longhouse Publishers in Vermont has produced a book exquisite in design, fat enough to be a feast, pretty enough to just wade around in, and deep enough to dive into and stay with for days and weeks and even months on end. Could be it's the first of its kind, a scrapbook novel that is also a how-to and a mystery -- how did he do it, and how does he make rocks balance like Thor?
Author Bob Arnold is a poet, well-known for well-crafted verses of the back country. But Bob Arnold the builder, the stone mason, the rock wall maker is for those of us lucky enough to have gone walking on his grounds or dining in house with his lovely wife, Susan.
I've known these guys a very long time, but frankly it takes a long time to know people who have the woods in them. They are like trees you love to look at, and you can give them a good hug, but that doesn't mean you know them. It takes years to do that and even then there's more mystery below the bark.
Well, there are years upon years in this shining, stunning photographic book of buildings, walls, stones, woods, flowers, lakes and of course trees. It's a book of family built with love, and like each rock, hand-held and sort of loved into place, it's a book that couldn't have come in a night or a day. It's taken Bob Arnold a lifetime to write it as his life was written around him in loving circles of tribute to his wife and son.
The beauty of this book is that it is truly a scrapbook novel, as solidly true as stone and bark. And it's not about one house, it's about many, and all made by the same man,woman, and son. If you want a life you have to make one. This is the story of a family who did just that.
http://www.longhousepoetry.com/
Friday, February 14, 2014
This Day I Saved To Think Of You
On brown grass
charred with cold
I see two, not very old
friends, kissing
Could be they're
husband and wife
curious creatures
who mate for life
Or are they two
infrequent friends
rubbing cheeks
to make amends
Whatever it is
they're only two
this day I saved
to think of you
How straight their necks
so fine and tall --
Canadian geese at
the shopping mall.
charred with cold
I see two, not very old
friends, kissing
Could be they're
husband and wife
curious creatures
who mate for life
Or are they two
infrequent friends
rubbing cheeks
to make amends
Whatever it is
they're only two
this day I saved
to think of you
How straight their necks
so fine and tall --
Canadian geese at
the shopping mall.
Wednesday, February 12, 2014
The Long and Short of Roger Zelazny: imagining dessert before the meal
Roger Zelazny was an undisputed master of the long and the short sentence.
Here's one of his short ones ...
Such
is
the
kingdom
of
ice
of
ice
such
is
the
And there it ends, frozen. No way to beat that sentence for sound and sense, implication and verification. It's what it is, just as ice is what it is. A long, linear line of coldness, it catches you in its iciness, and makes you wonder. The line comes from To Spin Is Miracle Cat.
My other favorite a scroll of wondrous imagery that plays out before the eye in a dazzle of prose poetry:
" ... Places of foundation, where dark streams through darkness flow, blind fish borne through caverns measureless, walls fungus-bright, delineating face and form of all the ancestors of all the tribes of the world, delicate fronds splayed amid coalsheet, beaver, deer, father to himself the bear, the cats, the fish people, bird he had dreamed lifetime but moments before, snake, bat, raccoon, wolf, coyote, and all the insect-folk, amber-cased, dreaming the dream of Her body amid jewels and lakes of oil, and hot rumble of melted rock flowing forever, deep, deep, and light of underworld about him now, and even man and woman, hairy hunters, wanderers in the earth forever, and the big flowers, the strange, unknown flowers, him padding by, blood upon his muzzle, in his mouth his throat, and throws back his head and roars that the underworld know that yet he moves, that nothing has stayed his course since the very beginning."
The above unbroken single sentence comes from the novel that Roger wrote with me, Wilderness, the story of mountain man John Colter and hunter Hugh Glass. One man, Colter, runs across the western landscape chased by the best runners of the Blackfeet nation. The other, Glass, crawls after being eviscerated by a grizzly bear and buried alive by his fellow hunters. Colter's naked but for a loincloth, and it is winter. Glass doesn't have the weather against him, but he's got a torn-open belly and he is more "thing" than man.
Curious info on the Master -- Roger used to select his dessert with me in a restaurant before he ordered his meal. Why? Because he always wanted to be sure he had room for that dessert. When he opted to write Wilderness with me, I imagine he saw the illuminated book in his mind before he began writing a single word. Some of that scroll above must've flashed before the screen of his consciousness before he said yes to me. It took him a year or more before he put the menu down and ordered the whole book, and at one time, he actually considered "buying the idea" from me. I would've said no. But before he asked me that question I gave him the first chapter. I remember him saying, "This is good. This is very good." The menu was put away.
We worked together. And each morning he brought my wife Lorry a scone.
To tie this all together -- you must dream first, you must spin like miracle cat, you must have the mind of winter to write about ice. You must walk softly and carry a scone. You must write as if it were your first and last sentence.
Love you, Roger. Always.
Here's one of his short ones ...
Such
is
the
kingdom
of
ice
of
ice
such
is
the
And there it ends, frozen. No way to beat that sentence for sound and sense, implication and verification. It's what it is, just as ice is what it is. A long, linear line of coldness, it catches you in its iciness, and makes you wonder. The line comes from To Spin Is Miracle Cat.
My other favorite a scroll of wondrous imagery that plays out before the eye in a dazzle of prose poetry:
" ... Places of foundation, where dark streams through darkness flow, blind fish borne through caverns measureless, walls fungus-bright, delineating face and form of all the ancestors of all the tribes of the world, delicate fronds splayed amid coalsheet, beaver, deer, father to himself the bear, the cats, the fish people, bird he had dreamed lifetime but moments before, snake, bat, raccoon, wolf, coyote, and all the insect-folk, amber-cased, dreaming the dream of Her body amid jewels and lakes of oil, and hot rumble of melted rock flowing forever, deep, deep, and light of underworld about him now, and even man and woman, hairy hunters, wanderers in the earth forever, and the big flowers, the strange, unknown flowers, him padding by, blood upon his muzzle, in his mouth his throat, and throws back his head and roars that the underworld know that yet he moves, that nothing has stayed his course since the very beginning."
The above unbroken single sentence comes from the novel that Roger wrote with me, Wilderness, the story of mountain man John Colter and hunter Hugh Glass. One man, Colter, runs across the western landscape chased by the best runners of the Blackfeet nation. The other, Glass, crawls after being eviscerated by a grizzly bear and buried alive by his fellow hunters. Colter's naked but for a loincloth, and it is winter. Glass doesn't have the weather against him, but he's got a torn-open belly and he is more "thing" than man.
Curious info on the Master -- Roger used to select his dessert with me in a restaurant before he ordered his meal. Why? Because he always wanted to be sure he had room for that dessert. When he opted to write Wilderness with me, I imagine he saw the illuminated book in his mind before he began writing a single word. Some of that scroll above must've flashed before the screen of his consciousness before he said yes to me. It took him a year or more before he put the menu down and ordered the whole book, and at one time, he actually considered "buying the idea" from me. I would've said no. But before he asked me that question I gave him the first chapter. I remember him saying, "This is good. This is very good." The menu was put away.
We worked together. And each morning he brought my wife Lorry a scone.
To tie this all together -- you must dream first, you must spin like miracle cat, you must have the mind of winter to write about ice. You must walk softly and carry a scone. You must write as if it were your first and last sentence.
Love you, Roger. Always.
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